Julia Roberts, an illustrious figure in Hollywood, has graced the silver screen for over thirty years, leaving an indelible mark. Her roles have spanned a spectrum, encompassing romantic comedies to gripping dramatic thrillers. Whether in “Pretty Woman” or “Erin Brockovich,” her name has become synonymous with versatility and unparalleled talent, solidifying her reputation as a luminary within cinema. That said, here is the ultimate collection of Julia Roberts movies.
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The award-winning drama “Erin Brockovich” is one of Julia Roberts’ finest films. Unveiling an authentic narrative, the movie chronicles the remarkable journey of a woman who fearlessly confronted and triumphed over a formidable energy conglomerate trapped in the act of contaminating an entire city. This extraordinary feat merited Roberts a prestigious accolade, an Academy Award for Best Actress. Furthermore, Roberts graced the screen in “My Best Friend’s Wedding,” an endearing romantic comedy that traces a woman’s endeavors to avert her best friend’s matrimonial misstep. With more than $300 million made worldwide, the film was a resounding hit at the box office, illustrating its broad popularity.
Another classic Julia Roberts movie is “Pretty Woman.” The romantic comedy follows a prostitute who forms a romantic relationship with a wealthy businessman. It earned Roberts her first Golden Globe for best actress in a Musical or Comedy. The film was a box office sensation, grossing more than $500 million worldwide. The sequel, “Runaway Bride,” followed a similar premise to “Pretty Woman,” but this time with Roberts and Richard Gere’s characters the other way around.
If you’re looking for suspenseful drama, look no further than “Secret In Their Eyes.” This crime-thriller follows a retired FBI agent who seeks justice after his daughter is brutally murdered. The film grossed over $64 million and earned Roberts a Golden Globe nomination. Another thriller that Roberts starred in is “Closer,” a psychological drama about two couples who form a complicated web of relationships that turns into tragedy. The movie received plaudits for its outstanding cast, which featured Julia Roberts, Clive Owen, Jude Law, and Natalie Portman, and earned more than $115 million worldwide.
For a more family-friendly experience, try “Charlotte’s Web,” in which Roberts voices the farm pig Charlotte, the only one who can save a piglet, Wilbur, from being slaughtered. With nearly $100 million in box office receipts and praise from critics for its animation and voice acting, the movie was a box office hit. Another great option is “The Mexican,” a comedy-drama about a couple whose relationship is put to the test after an annual visit to Mexico. The film grossed over $66 million and was nominated for two Academy Awards.
If you’re in the mood for a tearjerker, “Stepmom” is a must-watch. The film follows a divorced couple and their two kids as they struggle to reconcile their divorce, and Roberts’ character is caught in the middle. The film earned over $160 million and critical praise for Roberts and her co-stars Susan Sarandon, Ed Harris, and Jena Malone. Finally, “Ocean’s Eleven” puts Roberts back in the spotlight as Tess Ocean, a casino magnate whose ex-husband and friends attempt to pull off the biggest heist in Las Vegas. This remake of the 1960s classic has become one of the most successful heist films ever, grossing more than $450 million worldwide.
In the grand scheme, Julia Roberts has graced numerous exceptional cinematic endeavors throughout her journey, and this definitive compilation merely offers a glimpse into the reservoir of her remarkable creative output. Her on-screen personas within these cinematic creations span the spectrum from comedic levity to poignant drama, a testament to her enduring dedication to the craft. With an unwavering commitment that persists in the present, Roberts perpetually enriches the realm of artistic expression. Thus, for those seeking to imbue their day with superior entertainment, an exploration of any of these extraordinary Julia Roberts films beckons.
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